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Its distinctive sound has appeared particularly in jazz and rock songs of the last fifty years.Its principles are derived from both the 'celesta' and the 'electric guitar'.

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Whereas dialectic seeks to demonstrate a truth about the essence of a subject or thing, rhetoric seeks to provoke a definite subjective reaction in its audience.

In the Medieval and Renaissance eras, many writers tried to draw parallels between the orator (and oration) and the musician (and music) and it was this old idea, which originated in classical times, that would later lead to the Baroque idea of the 'Doctrine of the Affections'Around 1680, the rhetorician and theologian François Fénelon wrote of Greek and Latin rhetoric, "it is true that, when one has undergone thorough study, one can derive great benefits from it...

Even while adopting opposing methods, representatives of all three approaches were unanimous in regarding rhetoric and music as "sister" disciplines.

Furthermore, French musicians and rhetoricians alike rejected the prevailing idea that the relationship between these disciplines was hierarchical, with rhetoric the dominant sibling.

The name is something of a misnomer, since "head rhymes" usually involve no rhyme at all (short/ship)a seven-line stanzaic form invented by Chaucer in the fourteenth century and later modified by Spenser and other Renaissance poets.

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